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Download the fantastic book titled The Spatiality of Emotion in Early Modern China written by Ling Hon Lam, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "The Spatiality of Emotion in Early Modern China", which was released on 15 May 2018. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the Literary Criticism genre.

Summary of The Spatiality of Emotion in Early Modern China by Ling Hon Lam PDF

Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing). Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence.


Detail About The Spatiality of Emotion in Early Modern China PDF

  • Author : Ling Hon Lam
  • Publisher : Columbia University Press
  • Genre : Literary Criticism
  • Total Pages : 454 pages
  • ISBN : 0231547587
  • PDF File Size : 11,9 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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The Spatiality of Emotion in Early Modern China

The Spatiality of Emotion in Early Modern China
  • Publisher : Columbia University Press
  • File Size : 48,5 Mb
  • Release Date : 15 May 2018
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Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere

The Spatiality of Emotion in Early Modern China

The Spatiality of Emotion in Early Modern China
  • Publisher : Unknown Publisher
  • File Size : 52,7 Mb
  • Release Date : 29 May 2024
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Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature centered on the idea of emotion as space. Tracing how the emotion-realm underwent significant

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  • File Size : 42,5 Mb
  • Release Date : 20 March 2013
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  • Release Date : 29 July 2009
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  • File Size : 45,8 Mb
  • Release Date : 08 March 2018
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Illuminates how one folktale serves as a living record of the evolving cultures and relationships of China and Korea

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  • File Size : 50,9 Mb
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Drawing on the expertise of historical, literary and philosophical scholarship, practicing physicians, and the medical humanities this is a true interdisciplinary collaboration, styled as a history. It explores pain at

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  • File Size : 38,9 Mb
  • Release Date : 07 December 2006
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This book is an engagingly written critical genealogy of the idea of "love" in modern Chinese literature, thought, and popular culture. It examines a wide range of texts, including literary,

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After toppling the Ming dynasty, the Qing conquerors forced Han Chinese males to adopt Manchu hairstyle and clothing. Yet China’s new rulers tolerated the use of traditional Chinese attire