The Cinema of Cuba Book [PDF] Download

Download the fantastic book titled The Cinema of Cuba written by Ann Marie Stock, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "The Cinema of Cuba", which was released on 30 June 2017. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the Performing Arts genre.

Summary of The Cinema of Cuba by Ann Marie Stock PDF

Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash' (USB memory sticks).Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots' of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more.


Detail About The Cinema of Cuba PDF

  • Author : Ann Marie Stock
  • Publisher : Bloomsbury Publishing
  • Genre : Performing Arts
  • Total Pages : 336 pages
  • ISBN : 178673253X
  • PDF File Size : 37,8 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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The Cinema of Cuba

The Cinema of Cuba
  • Publisher : Bloomsbury Publishing
  • File Size : 48,6 Mb
  • Release Date : 30 June 2017
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Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible

Cuban Cinema

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New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban

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With the recent shift in Cuba-US relations stemming from the relaxing of travel restrictions and an influx of American visitors, interest in Cuba and its culture has increased substantially. A

Hollywood in Havana

Hollywood in Havana
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  • File Size : 26,6 Mb
  • Release Date : 11 January 2019
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From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando.

Hollywood in Havana

Hollywood in Havana
  • Publisher : University of Chicago Press
  • File Size : 23,8 Mb
  • Release Date : 04 January 2019
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From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando.

The Cinema of Sara Gómez

The Cinema of Sara Gómez
  • Publisher : Indiana University Press
  • File Size : 23,8 Mb
  • Release Date : 06 July 2021
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Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution.

National Identity in 21st-Century Cuban Cinema

National Identity in 21st-Century Cuban Cinema
  • Publisher : Springer
  • File Size : 41,5 Mb
  • Release Date : 10 August 2018
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National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a