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Download the fantastic book titled The British Working Class in Postwar Film written by Philip Gillett, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "The British Working Class in Postwar Film", which was released on 28 June 2003. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the History genre.

Summary of The British Working Class in Postwar Film by Philip Gillett PDF

Using a sociological model, The British Working Class in Postwar Film looks at how working-class people are portrayed in British feature films from the decade after World War II. Original statistical data is used to assess the popularity of the films with audiences. With an interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Readers are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields.


Detail About The British Working Class in Postwar Film PDF

  • Author : Philip Gillett
  • Publisher : Manchester University Press
  • Genre : History
  • Total Pages : 244 pages
  • ISBN : 9780719062582
  • PDF File Size : 44,8 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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The British Working Class in Postwar Film

The British Working Class in Postwar Film
  • Publisher : Manchester University Press
  • File Size : 23,5 Mb
  • Release Date : 28 June 2003
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Using a sociological model, The British Working Class in Postwar Film looks at how working-class people are portrayed in British feature films from the decade after World War II. Original

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A Companion to the Gangster Film
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  • Release Date : 20 November 2018
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A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the

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Melodrama, Self and Nation in Post-War British Popular Film
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This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama

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Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by

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How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The

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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual

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Drawing on interviews with leading film executives, politicians and industry stakeholders, including Alan Parker, Stewart Till and Tim Bevan, this book provides an empirically grounded analysis of the rise and