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Download the fantastic book titled Popular Iranian Cinema before the Revolution written by Pedram Partovi, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "Popular Iranian Cinema before the Revolution", which was released on 14 July 2017. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the Social Science genre.

Summary of Popular Iranian Cinema before the Revolution by Pedram Partovi PDF

Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.


Detail About Popular Iranian Cinema before the Revolution PDF

  • Author : Pedram Partovi
  • Publisher : Routledge
  • Genre : Social Science
  • Total Pages : 384 pages
  • ISBN : 1315385600
  • PDF File Size : 50,8 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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Popular Iranian Cinema before the Revolution

Popular Iranian Cinema before the Revolution
  • Publisher : Routledge
  • File Size : 21,5 Mb
  • Release Date : 14 July 2017
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Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated

Iranian Cinema and the Islamic Revolution

Iranian Cinema and the Islamic Revolution
  • Publisher : McFarland
  • File Size : 20,5 Mb
  • Release Date : 18 February 2015
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In spite of international award-winning productions, Iran's cinema is underexposed. Because of the prevailing religious, political and social atmosphere in Iran, the country's cinema remained stagnant for more than 50 years.

Iranian Cinema Uncensored

Iranian Cinema Uncensored
  • Publisher : Bloomsbury Publishing
  • File Size : 52,7 Mb
  • Release Date : 18 December 2015
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The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned

Reform Cinema in Iran

Reform Cinema in Iran
  • Publisher : Columbia University Press
  • File Size : 48,5 Mb
  • Release Date : 08 November 2016
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It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution

The development of Iranian cinema after the Islamic Revolution

The development of Iranian cinema after the Islamic Revolution
  • Publisher : GRIN Verlag
  • File Size : 29,5 Mb
  • Release Date : 28 May 2009
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Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Islamic Studies, grade: 85, Ben Gurion University, course: The 1979 Iranian Revolution: A Thirty-Year Perspective, language: English, abstract: An analysis

Iranian Cinema

Iranian Cinema
  • Publisher : Bloomsbury Publishing
  • File Size : 27,6 Mb
  • Release Date : 29 September 2006
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Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian

The Poetics of Iranian Cinema

The Poetics of Iranian Cinema
  • Publisher : Bloomsbury Publishing
  • File Size : 54,9 Mb
  • Release Date : 30 September 2011
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In the wake of the 1979 Iranian Revolution, Iranian society and culture underwent massive changes. Here, Khatereh Sheibani argues that cinema evolved after the national uprising in 1978/79, and ultimately replaced poetry

A Colourful Presence

A Colourful Presence
  • Publisher : Cambridge Scholars Publishing
  • File Size : 44,8 Mb
  • Release Date : 13 October 2015
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This book analyzes the changes in the representation of women in Iranian cinema since the 1960s, and investigates the reasons and motives for this. Iranian cinema, both before and after

Iranian Cosmopolitanism

Iranian Cosmopolitanism
  • Publisher : Cambridge University Press
  • File Size : 48,8 Mb
  • Release Date : 17 January 2019
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A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.

A Social History of Iranian Cinema, Volume 3

A Social History of Iranian Cinema, Volume 3
  • Publisher : Duke University Press
  • File Size : 50,7 Mb
  • Release Date : 23 June 2024
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"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the