Performance Theory Book [PDF] Download

Download the fantastic book titled Performance Theory written by Richard Schechner, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "Performance Theory", which was released on 02 September 2003. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the Performing Arts genre.

Summary of Performance Theory by Richard Schechner PDF

First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.


Detail About Performance Theory PDF

  • Author : Richard Schechner
  • Publisher : Routledge
  • Genre : Performing Arts
  • Total Pages : 568 pages
  • ISBN : 113596517X
  • PDF File Size : 9,7 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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Performance Theory

Performance Theory
  • Publisher : Routledge
  • File Size : 37,5 Mb
  • Release Date : 02 September 2003
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First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

The Cambridge Introduction to Performance Theory

The Cambridge Introduction to Performance Theory
  • Publisher : Cambridge University Press
  • File Size : 34,9 Mb
  • Release Date : 15 March 2016
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What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography?

Theories of Performance

Theories of Performance
  • Publisher : SAGE
  • File Size : 31,9 Mb
  • Release Date : 11 February 2008
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Theories of Performance invites students to explore the possibilities of performance for creating, knowing, and staking claims to the world. Each chapter surveys, explains, and illustrates classic, modern, and postmodern

Black Performance Theory

Black Performance Theory
  • Publisher : Duke University Press
  • File Size : 23,9 Mb
  • Release Date : 14 April 2014
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Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates

Critical Theory and Performance

Critical Theory and Performance
  • Publisher : University of Michigan Press
  • File Size : 25,7 Mb
  • Release Date : 01 June 2024
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Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance

A Musicology of Performance

A Musicology of Performance
  • Publisher : Open Book Publishers
  • File Size : 50,6 Mb
  • Release Date : 17 August 2015
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This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual,

Performance Studies

Performance Studies
  • Publisher : Routledge
  • File Size : 22,6 Mb
  • Release Date : 14 July 2017
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Richard Schechner is a pioneer of Performance Studies. A scholar, theatre director, editor, and playwright he is University Professor of Performance Studies at the Tisch School of the Arts at

Theory for Performance Studies

Theory for Performance Studies
  • Publisher : Taylor & Francis
  • File Size : 39,7 Mb
  • Release Date : 01 June 2024
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Theory for Performance Studies: A Student's Guideis a clear and concise handbook to the key connections between performance studies and critical theory since the 1960s. Philip Auslander looks at the

Tactical Performance

Tactical Performance
  • Publisher : Routledge
  • File Size : 27,6 Mb
  • Release Date : 26 February 2016
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Tactical Performance tells fun, mischievous stories of underdogs speaking mirth to power - through creative, targeted activist performance in the streets of cities around the world. This compelling, inspiring book

Performance Analysis

Performance Analysis
  • Publisher : Cambridge Scholars Publishing
  • File Size : 48,9 Mb
  • Release Date : 10 December 2018
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This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second