Front Cover Iconography and Algerian Women s Writing Book [PDF] Download

Download the fantastic book titled Front Cover Iconography and Algerian Women s Writing written by Pamela A. Pears, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "Front Cover Iconography and Algerian Women s Writing", which was released on 29 October 2015. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the Literary Criticism genre.

Summary of Front Cover Iconography and Algerian Women s Writing by Pamela A. Pears PDF

The front covers of books written by Algerian women serve as the primary source of investigation in Front Cover Iconography and Algerian Women Writers. These covers have implications that extend beyond selling the book. What we see on one side of the page—or in this case, the cover, (recto) controls what we read on the reverse—in this case, the text itself (verso). Using theories of the paratext, including those of Gérard Genette and Jonathan Gray, this book determines how four dominant iconographies used on the covers of Algerian women’s writing – Orientalist art, the veil, the desert, and the author portrait – work with and against the texts they represent. These images have an impact on the initial reception of the book, but beyond that, book covers determine how both the informed and uninformed reader categorize and interpret francophone Algerian women’s writing in France and beyond. As the covers help to sell the works, they also produce messages, represented via their iconographies that embed themselves into the texts. A sometimes explicit, and at the very least, implicit dialog between the visual paratextual representation and the written textual one is created: a dialog that extends beyond the life of the physical book to a sort of canonical paradigm for reading these authors’ works. Thus, even if the cover image appears ephemeral, it never truly disappears. Its powerful control over critical reception and, ultimately, interpretation of francophone Algerian women’s writing remains.


Detail About Front Cover Iconography and Algerian Women s Writing PDF

  • Author : Pamela A. Pears
  • Publisher : Lexington Books
  • Genre : Literary Criticism
  • Total Pages : 189 pages
  • ISBN : 0739198378
  • PDF File Size : 11,5 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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Front Cover Iconography and Algerian Women’s Writing

Front Cover Iconography and Algerian Women’s Writing
  • Publisher : Lexington Books
  • File Size : 39,8 Mb
  • Release Date : 29 October 2015
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The front covers of books written by Algerian women serve as the primary source of investigation in Front Cover Iconography and Algerian Women Writers. These covers have implications that extend

Front Cover Iconography and Algerian Women's Writing

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This book is situated between studies of the material object of the book and Algerian women's writing. It examines the iconographic depictions on book covers of three of the most

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Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature—and the way we read, classify, and critique literature—impacts our understanding of the world at

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At the end of French colonization in Algeria, four categories of people held French citizenship or had strong ties with France: European settlers, Jews, mixed-race individuals, and Harkis. The end

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The Algerian War in Film Fifty Years Later, 2004⁠–⁠2012 examines the cultural, political, and aesthetic significance of narrative films made during the fiftieth-anniversary period of the war, between 2004 and 2012. This period

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Worldwide Women Writers in Paris examines a new literary phenomenon consisting of an unprecedented number of women from around the world who have come to Paris and become authors of

French Orientalist Literature in Algeria, 1845–1882

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Through literary and historical readings, this book explores how France was haunted by the violence of its colonial efforts in Algeria. Employing literary, philosophical, and archival analyses, it provides a

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Women Writers of Gabon: Literature and Herstory demonstrates how the invisibility of women (historically, politically, cross-culturally, etc.) has led to the omission of Gabon’s literature from the African canon,