Byzantium in the Iconoclast Era (ca 680–850): The Sources

Byzantium in the Iconoclast Era (ca 680–850): The Sources
  • Publisher : Routledge
  • File Size : 22,9 Mb
  • Release Date : 02 March 2017
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Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 730 and continued for nearly 120 years, has long held a firm grip on the historical imagination. Byzantium

Inventing Byzantine Iconoclasm

Inventing Byzantine Iconoclasm
  • Publisher : Bristol Classical Press
  • File Size : 26,6 Mb
  • Release Date : 10 May 2012
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Byzantine ‘iconoclasm' is famous and has influenced iconoclast movements from the English Reformation and French Revolution to Taliban, but it has also been woefully misunderstood: this book shows how and

A Companion to Byzantine Iconoclasm

A Companion to Byzantine Iconoclasm
  • Publisher : BRILL
  • File Size : 52,6 Mb
  • Release Date : 27 September 2021
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Twelve scholars contextualize and critically examine the key debates about the controversy over icons and their veneration that would fundamentally shape Byzantium and Orthodox Christianity.

Images, Iconoclasm, and the Carolingians

Images, Iconoclasm, and the Carolingians
  • Publisher : University of Pennsylvania Press
  • File Size : 46,5 Mb
  • Release Date : 25 February 2012
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In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be

Byzantium in the Iconoclast Era (ca.680-850)

Byzantium in the Iconoclast Era (ca.680-850)
  • Publisher : Routledge
  • File Size : 49,9 Mb
  • Release Date : 26 June 2024
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Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 730 and continued for nearly 120 years, has long held a firm grip on the historical imagination. Byzantium

Celebration of Living Theology

Celebration of Living Theology
  • Publisher : A&C Black
  • File Size : 54,8 Mb
  • Release Date : 24 April 2014
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Peeler recognizes the inherent connection between the paternal identity of God, the filial identity of the Son, and the filial identity of the audience.