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Summary of Art and the Higher Life by Kathleen Pyne PDF

Late in the nineteenth century, many Americans were troubled by the theories of Charles Darwin, which contradicted both traditional Christian teachings and the idea of human supremacy over nature, and by an influx of foreign immigrants, who challenged the supremacy of the old Anglo-Saxon elite. In response, many people drew comfort from the theories of philosopher Herbert Spencer, who held that human society inevitably develops towards higher and more spiritual forms. In this illuminating study, Kathleen Pyne explores how Spencer’s theories influenced a generation of American artists. She shows how the painters of the 1880s and 1890s, particularly John La Farge, James McNeill Whistler, Thomas Dewing and the Boston school, and the impressionist painters of the Ten, developed an art dedicated to social refinement and spiritual ideals and to defending the Anglo-Saxon elite of which they were members. This linking of visual culture to the problematic conditions of American life radically reinterprets the most important trends in late nineteenth-century American painting.


Detail About Art and the Higher Life PDF

  • Author : Kathleen Pyne
  • Publisher : University of Texas Press
  • Genre : Art
  • Total Pages : 509 pages
  • ISBN : 0292786042
  • PDF File Size : 22,7 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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Art and the Higher Life

Art and the Higher Life
  • Publisher : University of Texas Press
  • File Size : 55,7 Mb
  • Release Date : 22 July 2010
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Late in the nineteenth century, many Americans were troubled by the theories of Charles Darwin, which contradicted both traditional Christian teachings and the idea of human supremacy over nature, and

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Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need,

Art and the Higher Life

Art and the Higher Life
  • Publisher : Unknown Publisher
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As the nineteenth century drew to a close, many Americans were deeply troubled by the theories of Charles Darwin, which contradicted both traditional Christian teachings and the general view of

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The Art and Thought of John La Farge: Picturing Authenticity in Gilded Age America offers an unprecedented portrait of one of the most celebrated artists of the Gilded Age and

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In recent years, American art scholars have increasingly focused on the importance of cross-cultural exchanges during the nineteenth century. As essayist François Brunet puts it, mid-nineteenth century landscapes were “