What Makes a Film Tick Book [PDF] Download

Download the fantastic book titled What Makes a Film Tick written by Anne Rutherford, available in its entirety in both PDF and EPUB formats for online reading. This page includes a concise summary, a preview of the book cover, and detailed information about "What Makes a Film Tick ", which was released on 29 May 2024. We suggest perusing the summary before initiating your download. This book is a top selection for enthusiasts of the Documentary films genre.

Summary of What Makes a Film Tick by Anne Rutherford PDF

This book offers a close study of how film produces sensory-affective experience for the spectator. It argues that we must explore this affective dimension if we want to understand how cinema takes up cultural or thematic issues. Examining cinematic affect through close readings of how affective immersion in cinema works to engage viewers with history, memory and cultural specificity, it deals with both fiction film and documentary. Taking an international perspective, it includes case studies of Korean detective film, classical Japanese cinema, modern Greek cinema, independent American cinema, Indian documentary, Australian television documentary, Indonesian political docudrama, avantgarde French documentary and Australian Indigenous film. Rutherford draws on the analysis of embodied affect to revise many of the foundational concepts of film studies. Drawing on Miriam Hansen's readings of Walter Benjamin and Siegfried Kracauer, the book explores the capacity of film to produce experiences in which the boundaries between the spectator and the film become porous and the viewer is transported in a heightened way into the film.


Detail About What Makes a Film Tick PDF

  • Author : Anne Rutherford
  • Publisher : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
  • Genre : Documentary films
  • Total Pages : 0 pages
  • ISBN : 9783034306546
  • PDF File Size : 48,7 Mb
  • Language : English
  • Rating : 4/5 from 21 reviews

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What Makes a Film Tick?

What Makes a Film Tick?
  • Publisher : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
  • File Size : 28,6 Mb
  • Release Date : 29 May 2024
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This book offers a close study of how film produces sensory-affective experience for the spectator. It argues that we must explore this affective dimension if we want to understand how

The Emotional Life of Postmodern Film

The Emotional Life of Postmodern Film
  • Publisher : Routledge
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  • Release Date : 19 November 2015
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Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing

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  • File Size : 42,6 Mb
  • Release Date : 27 July 2012
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Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a

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  • Release Date : 28 July 2022
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What can philosophy teach us about cinema? Can cinema transform how we understand philosophy? How should we describe the competing approaches to philosophizing on film? New Philosophies of Film answers

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World Cinema and the Essay Film
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  • File Size : 21,5 Mb
  • Release Date : 29 May 2019
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World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The

The Films of Lenny Abrahamson

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  • Publisher : Bloomsbury Publishing USA
  • File Size : 49,8 Mb
  • Release Date : 23 August 2018
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The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the

Cultural Specificity in Indonesian Film

Cultural Specificity in Indonesian Film
  • Publisher : Springer
  • File Size : 50,6 Mb
  • Release Date : 16 February 2017
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This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within